Why Go Beyond The Deadly Desert?

As I still have a plan to put together "Adventures in Oz: Beyond the Deadly Desert", I must pose the question: Why did L. Frank Baum go beyond the Deadly Desert in his Oz stories? Why didn't he just set all of his action there?

I think the answer is: Because it wouldn't have been realistic. Part of the charm of Baum's writing is that there is a level of realism (or more accurately, verisimilitude) along with the fantasy. And despite the Oz fandom's love of tornadoes as plot devices, notice that Baum only used it once. Because to use it more than once would be to stretch credulity just a little too much. Do it three times and you've completely battered any suspension of disbelief into the ground.

In fact, Baum's first Oz sequel, The Land of Oz, doesn't even include Dorothy. This is probably because he thought that bringing Dorothy back to Oz would have been hard to do believably. And when he did bring her back in Ozma of Oz, she doesn't return to Oz, but finds herself in the neighboring land of Ev. Because he had already established that Oz is surrounded by desert and to use a shipwreck to bring Dorothy directly to Oz would have been a cheat.

Then, in The Road to Oz, Baum introduces his Oz readers to a number of characters from his other stories, functionally tying those non-Oz stories into Oz lore. This process becomes complete with Scarecrow of Oz bringing Trot and Cap'n Bill to Oz. So now we've got lots of interconnected material to draw from that happens outside the borders of Oz itself.

Barnstorming Oz

I recently had a chance to catch up on some reading and picked up A Barnstormer in Oz by Phillip Jose Farmer. This is actually the first time that I'd read this book, though I have read some of Farmer's other work in the past.

Farmer, being a science fiction writer, takes a shot at justifying some of the events of Wizard science-fictionally. It has a lot to do with electrical phenomena, from the space-time rip that lands Frank Stover, Dorothy's son, in Oz to the Wicked Witches.

The core idea revolves around a peculiar type of ball lightning that Farmer calls "firefoxes." Farmer's hero, Frank Stover, deduces that they are actually a form of bodiless mind. These firefoxes are what animates the curious characters of the Scarecrow and the Tin Woodman, and allows the animals of Oz to talk. Once they take on a body, they lose any memory or previous personality, so no spoiling the big surprises early

They are also used by Witches to extend their own lifespans. Unfortunately, this replaces the chemical bonds that hold them together with much weaker electrical bonds that can be disrupted by, say, a massive impact or a bucket of water.

Farmer studiously avoids tackling any other major oddities from the stories. For one thing, he has the main character dismiss the Oz stories after the first. This may have been Farmer inserting his own voice to say that Baum was a "hack", or because the other books were still under copyright with only Wizard in the public domain. It could also simply be that he focused only on those things that supported his firefox scenario. He even dismissed the China Country as something that Baum probably made up and added to the "true" story of his mother's original adventure in Oz. (You knew that was coming, didn't you?)

The story itself revolves around Frank's journey into Oz via an electrical phenomena and how he winds up fighting a war against the new Wicked Witch of the North. He also tries to keep the US Army (who have been developing the ability to manufacture the atmospheric phenomena that allows transit) out of Oz and results in the magical assassination of the President by Glinda.

It struck me as rather odd that although Farmer explains that the people of Oz originally came from Earth, they've all shrunk down to about 3 feet tall. This didn't happen all at once, but each generation was slightly shorter than the one before it.

My preferred solution is to assume that Dorothy is between 10 and 13 years old at the time of her arrival in Oz and undergoing a pubescent growth spurt (Although her age is not given in the story, Dorothy is noted as being tall for it). This would allow the Munchkins to be merely short, rather than midgets. It would also explain why some Munchkins seem to be normal-sized, or at least make the fact that the height issue was not carried into later books less jarring.

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